64th LISBON World Congress on Film studies, Sexuality and Eroticism: LFSSE-26

+91 9781001229, +66 62 601 8051,
+351 920 619 073

Call for papers/Topics

Full Articles/ Reviews/ Shorts Papers/ Abstracts are welcomed in the following research fields:


1. Theoretical Frameworks (The "How" of Analysis)

These subtopics provide the academic tools used to "read" sexuality and eroticism in a film.

  • The Cinematic Gaze

    • The Male Gaze (Mulvey): The objectification of the female body for the pleasure of a presumed male spectator.

    • The Female Gaze: Subjective female desire and the subversion of traditional power dynamics.

    • The Oppositional Gaze (hooks): How race intersects with the gaze, specifically regarding Black spectatorship.

    • The Queer Gaze: Non-heteronormative ways of looking and being looked at.

  • Psychoanalytic Film Theory

    • Voyeurism & Scopophilia: The pleasure derived from looking at others as objects.

    • Fetishism: The use of specific body parts or objects (shoes, hair, leather) to represent erotic desire.

    • The Unconscious: How repressed desires are manifested in dream-like film sequences.

  • Queer Theory & Trans Studies

    • Heteronormativity: How cinema reinforces "straightness" as the natural default.

    • Gender Performativity (Butler): How characters "act out" gender through costume and behavior.

    • Trans Cinema: Representation of non-binary and transgender identities beyond medical or "tragic" tropes.

2. Historical & Industrial Contexts

These topics examine how laws, technology, and social movements shaped what could be shown on screen.

  • Censorship & Regulation

    • The Hays Code (1930–1968): The "Production Code" that banned "lustful kissing" and "sexual perversion" (homosexuality).

    • Pre-Code Cinema: The era of "vamps" and explicit themes before strict moral enforcement.

    • Rating Systems: The evolution of the X, NC-17, and R ratings and their impact on a film's commercial success.

  • Industry Innovations

    • The Rise of the Intimacy Coordinator: The modern role of ensuring consent and safety during sex scenes.

    • Porn Studies: The academic study of the adult film industry as a parallel to mainstream cinema.

    • Body Doubles: The ethics and aesthetics of replacing actors for nude or erotic sequences.

3. Genre-Specific Eroticism

Eroticism functions differently depending on the "rules" of the film's genre.

  • The Erotic Thriller: Power play, betrayal, and "Femme Fatales" (e.g., Basic Instinct).

  • Body Horror: The intersection of "The Abject" and eroticism; sex as a site of mutation or fear (e.g., the films of David Cronenberg).

  • Coming-of-Age Cinema: Themes of sexual awakening, puberty, and the discovery of identity.

  • Art-House & Auteur Eroticism: Explicit "unsimulated" sex used as a philosophical or aesthetic statement (e.g., Catherine Breillat, Gaspar Noé).

  • The Musical: Sexuality expressed through choreography, costume, and rhythmic "tension and release."

4. Interrelated Socio-Cultural Themes

These topics explore how sexuality in film is never "just about sex" but is tied to broader social hierarchies.

  • Intersectionality

    • Race & Hypersexualization: The historical stereotyping of Black, Latino, and Asian bodies in Western cinema.

    • Class & Eroticism: The "forbidden" romance between different social strata (the "Lady and the Stable Boy" trope).

  • Power & Consent

    • The "Me Too" Era Impact: How modern films re-evaluate historical "romantic" scenes as coercive.

    • BDSM & Kink in Cinema: The representation of sub-cultures and the "negotiation" of pain and pleasure.

  • Technology & The Future

    • Techno-Eroticism: Sexual relationships between humans and AI or robots (e.g., Her, Ex Machina).

    • Digital Nudity: The use of CGI to create erotic images and the ethical concerns of "Deepfakes."

Supported By